1890-1918 Austrian Egon Schiele Gallery Egon Schiele (12 June 1890 ?C 31 October 1918) was an Austrian painter, a protege of Gustav Klimt, and a major figurative painter of the early 20th century. Schiele's body of work is noted for the intensity and the large number of self-portraits he produced. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings make the artist an early exponent of Expressionism, although still strongly associated with the art nouveau movement (Jugendstil). The most important collection of Schiele's work is housed in the Leopold Museum, Vienna. In 1907, Schiele sought out Gustav Klimt. Klimt generously mentored younger artists, and he took a particular interest in the gifted young Schiele, buying his drawings, offering to exchange them for some of his own, arranging models for him and introducing him to potential patrons. He also introduced Schiele to the Wiener Werkstätte, the arts and crafts workshop connected with the Secession. In 1908 Schiele had his first exhibition, in Klosterneuburg. Schiele left the Academy in 1909, after completing his third year, and founded the Neukunstgruppe ("New Art Group") with other dissatisfied students. Sitzender weiblicher Akt, 1914Klimt invited Schiele to exhibit some of his work at the 1909 Vienna Kunstschau, where he encountered the work of Edvard Munch, Jan Toorop, and Vincent van Gogh among others. Once free of the constraints of the Academy's conventions, Schiele began to explore not only the human form, but also human sexuality. At the time, many found the explicitness of his works disturbing.  Related Paintings of Egon Schiele :. | Self Portrait in crouching position | Portrait of Edith Schiele in a Striped Dress | Composition with Three Male Figures | Lyricist | kvinna med tva barn |
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Wille Pierre Alexandre
French Painter , 1748--Paris 1821 Painter, son of Jean-Georges Wille. Between 1761 and 1763 he trained under Jean-Baptiste Greuze, who was a friend of his father, and later under Joseph-Marie Vien. Approved by the Acad?mie Royale in 1774, he devoted himself to painting sentimental genre scenes, such as the Last Moments of a Beloved Wife (1784; Cambrai, Mus. Mun.), in Greuze's manner. He also executed paintings for his father to engrave, including French Patriotism (1781) and the Double Reward of Merit (1785; both Bl?rancourt, Cheteau, Mus. N. Coop. Fr.-Amer.).
BOUTS, Dieric the Elder
Flemish painter (b. ca. 1415, Haarlem, d. 1475, Leuven).
UCCELLO, Paolo
Italian Early Renaissance Painter, 1397-1475 Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco